ALL FORUMS Gladys came to visit in 1989 and believe it or not the place was in much better shape than it was in 1986 when I first stepped inside. Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). Sensing marketing value as a Marvelettes release, Motown released the album as The Return of the Marvelettes. In The Number Ones, I'm reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart's beginning, in 1958, and working my I volunteered a few times in the mid to late 80’s. Achetez 'Twistin' Postman par The Marvelettes' sur la plateforme de musique 7digital Canada - Un catalogue de plus de 30 millions de titres haute qualité. SEARCH Forum DetroitYES FORUM. What was Motown THINKING in the '80s?!?! Because, Iâ��d decided years ago that I didnâ��t wanna record anymore!â��. Youâ��re talking about FRIGHTNING?!! The Marvelettes were a big part of all the excitement. They consisted of schoolmates Gladys Horton, Katherine Anderson (later Katherine Anderson Schnaffer), Georgeanna Tillman (later Georgeanna Tillman-Gordon), Juanita Cowart (later Juanita Cowart Motley) and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. It wasn’t Edna. From the early days of Motown through the end of its first and best decade, this group from the Detroit suburb of Inkster, Michigan delivered a steady stream of hit records noted for strong lead vocals by two of Hitsville U.S.A.'s best, though sometimes overlooked, singers, Gladys Horton and Wanda Young. In 1970, Wanda recorded a solo album with Smokey Robinson serving as her producer. Still, nearly all the singers were still in good voice. The Marvelettes and Contours were proof Motown had as much grit as the other black labels that became mainstream successes like Stax. Marvin almost never left Detroit because of that reason. Concludes Wanda; â��When Ian Levine first contacted me about doing a new Marvelettes album, I was amazed! The white people were so prejudiced! Meanwhile, Gladys became the next to leave the group - to have her first child - and was replaced by Anne Bogan (who later fronted the early Seventies RCA Records soul group New Birth). As her illnesses became severe, Tillman retired from touring and subsequently had to leave the group as well. Retrouvez The Original Marvelettes: Motown's Mystery Girl Group by Marc Taylor (1-Feb-2004) Hardcover et des millions de livres en stock sur Amazon.fr. With Motown Recordsâ currently celebrating their 50th Anniversary, Pete Lewis recalls speaking exclusively to The Marvelettesâ former lead vocalist Wanda Rogers back in September 1990. You know, itâ��s something thatâ��ll always linger and be there, regardless of how jealous one act might feel about another. Gladys and Wanda sounded just a bit similar, so each could cover for the other when necessary, which was an asset to the group at the time. So doesn't appear that much has changed. Sad, sinister tales related to me by Wanda Rogers of The Marvelettes, in an exclusive interview - the first she has given in over twenty years - following years of mental and alcohol-related problems. Thanks for uploading this song. As part of Motown Recordsâ�� 50th Anniversary, The Marvelettesâ�� album â��â��The Definitive Collectionâ�� is released January 26; with The Marvelettesâ�� â��Complete Albums Vol.1â�� following February 2Words PETE LEWIS, It's divine inspiration and gospel greatness from UK soul royal Mica Paris, Remembering Run DMC hip-hop legend Jam Master Jay through the eyes of fellow group member DMC, Jalapeno Records celebrate 20 years of giving funk & soul lovers exactly what they want, COMPETITION TIME! Rick Sperling — creator and founding artistic director of the Mosaic Youth Theater of Detroit — approached her for an interview for a play he wanted to write about the Marvelettes. Click on the player above to hear Ann Delisi interview Rick Sperling. Her firstborn son, Sammie, was diagnosed with cerebral palsy, and in a 1985 interview with the Los Angeles Times she said she’d quit the business to care for him: “I didn’t want to travel. If anyone is hearing bitterness in this interview, take notice that it ain't all for herself or the Marvelettes. We notice that you are using an, Gladys Horton of The Marvellettes Interview. Please Mr. Postman - The Marvelettes. But in an interview … Expansion's unmissable annual soul compilation up for grabs. I hear someone who is rightfully questioning why her group and others didn't get the recognition they deserved for all they did for Motown. I know Mary Wilson of The Supremes wrote a book and I began writing one. Weâ��d have big company picnics every summer; Christmas parties where Mr. Berry Gordy would give the artists beautiful giftsâ�¦ It was something Iâ��d never experienced before, and I loved it!â��, â��And, while those old Motown records are definitely still so popular because of that Motown Sound, I also believe some of their longevity is down to the love we shared with one another back then. You know, there were five original Marvelettes when the group first started out. Even if somebody had personal problems at home, weâ��d still sit and discuss it! See All. I agree because it was proven that both of these groups could still sing and peform very well for many years after Motown kicked them to the curb. My money - I had over 13,000 dollars in small savings. I thought one of the tracks Motown-worthy, "Holding on With Both Hands," clearing evoking (and not badly) "I'll Keep Holding On.". Thus, Wanda’s voice was better suited to Smokey’s writing style, plus she was married to Bobby Rogers, one of Smokey’s Miracles, so it just stood to reason. There was a song that was played in the interview. Comments. The origin of the Marvelettes is variously recounted in music encyclopedias and other sources, and they usually describe Ms. Horton as a co-founder of the group. An insult on The Marvelettes and other Detroiters who helped to make MOTOWN. Pretty rustic to say the least! and the Marvelettes legacy was not preserved. It was astounding how many Hitsville acts Levine coaxed back into the studio, and how many tracks were recorded. Never cared much for the Levine material, but Gladys' voice was true and strong and instantly recognizable on this and the other Motorcity tracks. Découvrez vos propres épingles sur Pinterest et enregistrez-les. No doubt much of which was a reaction to the horrible experiences she endured within the social climate of the early Sixties, when The Marvelettes were Motownâ��s premiere girl vocal group, having provided the legendary Detroit label with its first US national Number One - â��Please Mr. Postmanâ�� - in 1961. It's a shame she wasn't able to record more prior to her passing. The Marvelettes was an American girl group that achieved popularity in the early- to mid-1960s. I will be putting our Soul Spotlight on the Marvelettes and playing an interview I did with my friend Katherine "Kat" Anderson Schaffner of the original Marvelettes. When The Marvelettes auditioned for Motown, the label didn't have their full songwriting machinery in place, so they asked the girls to bring in material. It was like an unknown sickness started in the group that Iâ��m not able to explain. But in an interview on Thursday, Ms. Schaffner, one of the original Marvelettes, gave her full credit. I guess I personally put it down to Sammy Davis Jr. and Mr. Berry Gordy Jr. being in the process of making movies togeyther. Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). If any problems would go wrong within the group, or with the female vocalists - Mary Wells, Kim Weston - weâ��d sit and have meetings. I do not think Gladys found a publisher. If you enjoy a dishy, trashy but fun read I strongly urge you to purchase "The Fabulous Sylvester" by Joshua Gamson. The Marvelettes never topped the chart again, but they had six Top 20 singles, including “Beachwood 4-5789,” “Don’t Mess With Bill” and “Playboy.” Wanda’s voice had that bitter-sweet edge where Gladys always sang full-out and sometimes a little gravelly. ‘The Marvelous Marvelettes,’ described by the Chicago Sun-Times as “hugely entertaining,” is centred on the five-girl group best known for the original ‘Please Mr. Postman.’ The heart and soul of Motown's sound and spirit was always in Detroit... always. But back to Gladys, it was a just another huge disappointment to her and could only have served to further fuel her resentments. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart (now Cowart Motley), and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. I had to spend my time caring for my son.” Ultimately, the Marvelettes’ career fizzled out. Iâ��d grumble and complain within myself sometimes: â��Why would they move to California, knowing that this is Berry Gordyâ��s home town?â��.â��, Nevertheless, as Wanda openly acknowledges, life at Motown during The Marvelettesâ�� Sixties heyday was far from all bad: â��Yeah, knowing that the public really loved us would bring tears to my eyes! Sensing marketing value as a Marvelettes release, Motown released the album as The Return of the Marvelettes. Yeah. Meanwhile, bringing things up-to-date, both â��Too Many Fish In The Seaâ�� and â��My Baby Must Be A Magicianâ�� are two remakes contained on the current Ian Levine-produced â��The Marvelettesâ�¦Now!â�� album, on Ianâ��s Motorcity label. She was very much the realist (with good reason). Livraison gratuite (voir cond.). The best title I could draw from the song was Secret Love Affair, but the. "I came off the road. Buy and sell music with collectors in the Marketplace. If they discarded the Marvelettes like yesterday's news, the Contours were put out like leftover food for dogs. The Marvelettes were an all-girl group who achieved popularity in the early to mid-1960s. Reposted by1. When I asked Gladys how she had felt when the lead was shifted to Wanda, surprisingly and without a trace of bitterness, she said she hadn't really cared; it was that much less for her to do in performance! The author did interview Gladys, Katherine Anderson and Juanita Cowart, 3 of the 5 original Marvelettes, so this book does provide a lot of material, stories and history that you will not find anywhere else. You know, sometimes Iâ��d be pregnant and singing. In fact, if it hadnâ��t been for my baby sister pushing me, I wouldnâ��t have recorded! The Science of soul March 15th 2020added 8 months ago; The Science of Soul radio show bringing you music to … If youâ��re interested come on over!â��â��, remembers Wanda with a distant smile: â��She wanted to know if I could sing alto. LOL! And before long Katherine, Gladys and myself were the only three left.â��, US hits under this line-up included â��Too Many Fish In The Seaâ��, Donâ��t Mess With Billâ�� and â��The Hunter Gets Captured By The Gameâ��; while the romantic ballad â��When Youâ��re Young And In Loveâ�� gave the trio their first UK Top 20 success in 1967. He also shared the stories about some of Motown’s biggest songs, The Marvelettes “Please Mr. Postman”, Marvin Gaye’s “Stubborn Kind of Fellow” and The Supremes “Where Did Our Love Go”, and the struggles of these young, talented Motown artists. With Motown Recordsâ�� currently celebrating their 50th Anniversary, Pete Lewis recalls speaking exclusively to The Marvelettesâ�� former lead vocalist Wanda Rogers back in September 1990. Discover music on Discogs, the largest online music database. The group originally comprised five High School friends from Inkster, Michigan - Gladys Horton, Katherine Anderson, Georginna Gordon, Georgia Dobbins and Juanita Cowart, who all formed in 1960 to compete in a talent show, the three finalists from which were to win auditions at Motown. she was the first female night club DJ in NYC in the 60's and she DOES talk about playing Marvelettes records in the big NY clubs. We will also celebrate the birthdays this coming week of Linda Jones, Barbara Lynn and Bobby Lester of the Moonglows. They included DeBarge in the Motown Museum?! Other than their singing and their shows, the best part about the Marvelettes is that they were all just very good women. Driving me crazy. In an interview with Marc Myers for the book Anatomy of a Song, Marvelettes singer Katherine “Kat” Anderson Schaffner said,. Neither happened. â�¦ Sad, sinister tales related to me by Wanda Rogers of The Marvelettes, in an exclusive interview - the first she has given in over twenty years - following years of mental and alcohol-related problems. THE MARVELETTES: Motown 50 classic interview series - Sep 1990 With Motown Recordsâ�� currently celebrating their 50th Anniversary, Pete Lewis recalls speaking exclusively to The Marvelettesâ�� former lead vocalist Wanda Rogers back in September 1990. 16 oct. 2016 - Cette épingle a été découverte par mke renz. Forum Archives "There was a … We learned a ton from this intriguing documentary on The Marvelettes, the truly unsung female singing group from Motown’s early years.Later overshadowed by Diana Ross and The Supremes, the group achieved significant chart success with classics like Mr. Postman (Motown’s first #1 hit) and Don’t Mess with Bill, but later imploded in a far too familiar scenario. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day. SOULFUL DETROIT Forum But I still havenâ��t heard of any of the artists mention the PURE HATE that they endured, the disadvantages.â��. She told me she was finishing up her memoir, but when we spoke on the phone a couple of times after that she had put it aside and was occupied instead with doing some projects for the school where her son Sammie was enrolled. I never heard anything from her after that. The Marvelettes (L to R Juanita Cowart, Georgenna Tillman, Gladys Horton, Wanda Young, Katherine Anderson - 1961) Despite twenty-one R&B chart hits, twenty-three Pop hits, and Motown's first number one single, the Marvelettes were never the darlings of Motown that they aspired to be. On leur doit le premier « numéro 1 » de Motown avec la chanson sortie sur le label Tamla (54046) Please Mr. Postman en août (1961). Georgia came up with the essential idea for â��Please Mr. Postmanâ��; Motown chief Berry Gordy liked the general ideaâ�¦ And, after completion by staff songwriters, it was recorded and became the groupâ��s first success - hitting Number One when the average age of the group was just 17! Listeners337. As usual, on the "Artists" page, The Marvelettes aren't even mentioned, just as Gladys Horton complained about in the '92 interview! ", â��All of the Motown artists traded with the Bank Of The Commonwealth, right? The Marvelettes' hit making days had waned by the end of the 1960s and in 1970 the group disbanded. I guess we should be grateful that Levine made such an effort and certainly many of these artists such as Wanda would never have been back in the recording studio otherwise, but I think his music suffered from too much quantity and not enough quality. "I came off the road. Achetez 'Playboy par The Marvelettes' sur la plateforme de musique 7digital Canada - Un catalogue de plus de 30 millions de titres haute qualité. It was, at the same time, Motown but Not-Motown. But, at the same time, inside I felt bad about the company moving - I mean, REAL badâ�¦ You know, I felt Iâ��d been personally left behind. I use to volunteer at that Museum (1986-87) just before they got the "Historical Site" designation. Marv I used to take customers there in the early days. Motown had nothing to do with the Museum. And while the Jacksons did record initially in Detroit after they signed, they made all of their hits/albums in LOS ANGELES as did DeBarge. In 1970, Wanda recorded a solo album with Smokey Robinson serving as her producer. Ce précédent ouvre la voie à des groupes vocaux féminins tels que Martha and the … So that evening I went over to Georginnaâ��s house, and instantly became a member of the group! Not only Berry Gordy, but the whole Gordy family, looked after us like we were their babies. They consisted of schoolmates Gladys Horton, Katherine Anderson (later Katherine Anderson Schnaffer), Georgeanna Tillman (later Georgeanna Tillman-Gordon), Juanita Cowart (later Juanita Cowart Motley) and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. Favorited by5. Achetez 'Hey Baby / Mashed Potato Time par The Marvelettes' sur la plateforme de musique 7digital France - Un catalogue de plus de 30 millions de titres haute qualité. Amazon.fr - Achetez Motown: The DVD: Definitive Performances à petit prix. I can imagine. This is what I love about Gladys; her complaints are for the fact that Motown wasn't acknowledging the ones who made it happen meaning all the acts that came onboard in the early days. Down to Earth and was doing what they enjoyed. Shop for Vinyl, CDs and more from The Velvelettes at the Discogs Marketplace. While The Marvelettes actually came fourth, a school teacher nevertheless persuaded Motown to listen to them too. Motown actually picked up less talent artists in my opinion when they moved to LA. We learned a ton from this intriguing documentary on The Marvelettes, the truly unsung female singing group from Motown’s early years.Later overshadowed by Diana Ross and The Supremes, the group achieved significant chart success with classics like Mr. Postman (Motown’s first #1 hit) and Don’t Mess with Bill, but later imploded in a far too familiar scenario. https://www.mixcloud.com/billrandle1...ONNm4RoF8R0Edo, https://www.discogs.com/The-Marvelet...elease/2895885. MOTOWN Forum The Marvelettes' albums, in the group's early days, were of two varieties: comprised either of rush-recorded sides slapped up against a hit single, intended to capitalize on that hit single, or mostly of single sides, rounded out with a few new tracks set down to fill out the long-player. 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